Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

A Roses but not Castles Tray

Long time readers of our blog may recall that I posted about the origin of Roses and Castles decoration way back in 2008 when I came across a blue underglaze plate with a scene reminiscent of the traditional Roses and Castles. Having read Tony Lewery's two books on canal boat painting (Narrow Boat Painting and Flowers Afloat) I have been aware for some time of his hypothesis that the inspiration for the style came from not only Victorian pottery decoration and but also Jappaned goods. I was therefore delighted when the other day we got a present of a decorated metal tray that our daughter Lucy had picked up at antique fair in West London. She described it on the phone as being "a bit like Roses and Castles". When we got it we found it had all the hallmarks of the traditional Roses and Castles style - but minus the castles. It is probably what is described as Toleware.

Our painted metal tray

The tray is just over a foot in diameter and has a dark green ground that is similar to many of the shades used on narrowboats. The flower decorations are very similar to that found on traditional canal boat decoration and the roses in the centre are painted are clearly painted in the same manner with confident sweeping brush strokes. The perforated edge to the tray shows signs of gold paint. We have no idea as to its age (or even its country of origin) but we think its a very pretty item. If could be old, that is Victorian, and this would certainly reinforce the theory put forward by Tony Lewery since the painting technique is so similar.

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Over and Under the Hill - Potterspury History Group

For some years I have been helping lead some of the Over and Under the Hill events at Stoke Bruerne where participants explore Blisworth Tunnel by boat and walk back over the top with guides. Last Saturday we held a special version for our village history group. With the warm and dry spell of weather we managed to fill trip boat Charlie. The tunnel element of the event never fails to impress. Despite travelling through the tunnel on Albert you get a new perspective sitting in Charlie near the water line when you can concentrate on looking at the side passages and the wonderful colours of the mineral deposits on the walls.


Familiar view

Checking the route

Boat Horses in the quarry field

We carried out a reconnaissance on the Thursday before the trip and some our pictures are from that walk.
A group of happy walkers ready for the tunnel

In the tunnel and looking at interpretation material

Leaving Charlie at Blisworth


Finishing with a meal for over twenty at the Navigation Inn it was a memorable event.  The next event like this is at the end of August which is being organised by Trip Boat Charlie.

A Summer on the Nene by "BB"


Book dust cover 

A short while ago I read a fascinating article by “Old Stager” in the IWA Northampton Magazine, Endeavour. He recalled a book that he owned titled “A Summer on the Nene” by “BB” with illustrations by D.J. Watkins-Pitchford. I was familiar with Denys Watkins-Pitchford as being the illustrator of Tom Rolt’s Narrow Boat but I was unaware of much of his other work. The review by “Old Stager” was compelling, particularly given our proximity and interest in the Nene. Quite simply his review got me hooked, so I sought out a copy through ABE Books and it became my bedside reading for few weeks.

 Denys Watkins-Pitchford was a well-known naturalist, illustrator and author. He not only illustrated “A Summer on the Nene” but penned it; “BB” was his nom-de-plume. Published in 1967 the book is richly illustrated with wood cuts and describes a pair of journeys taken in 1966, down the Nene from Oundle to Orton Waterville in May and a trip upstream in early autumn to Woolaston Mill. The title therefore uses some artistic licence. BB was not very physically fit during the voyages and most of the locking appears to have been done by his crew, his wife and daughter, or others he meets. For both journeys he borrowed a fibreglass cruiser the Jolly Enterprise from the then newly built Oundle Marina. Unfortunately the upstream journey in the spring was curtailed when they damaged the propeller when mooring at Wansford.

Brought up in rural Northamptonshire (Lamport) as the son of vicar, he has a countryman’s outlook on nature. He shoots, hence the nom-de-plume which relates to shooting, and fishes, but has a particular interest in birds. As a result the book has numerous wood cuts of ornithological subjects. Since I can well recall the sixties, the book has, for that time, an almost old-fashioned look. The use of wood cuts makes it feel more like a book from at least a couple of decades earlier, but they contribute greatly to its charm. BB is capable of evocative descriptions of wildlife and nature. He is particularly eloquent when he describes the nesting habits and behaviour of birds but he is also capable of describing rural scenes in way that transports the reader to the place and his time. I would recommend the BB Society web site for those who wish to discover more about BB’s life and work.

One of the many charming wood cuts that are within the text

I was particularly taken by BB’s descriptions of a favourite spot of ours, Wadenhoe. He clearly loves the place and spends some pages describing its charms. He describes how he would have like to visit the Kings Head Inn and its garden at the “threshold of high summer when the goldfinches sang in the apple trees and the sedge and reed warblers chattered from the river jungles below”. I can say that we have enjoyed mooring at Wansford in high summer by the Kings Head, although our knowledge of bird calls cannot match that of BB, we can report that it is a spot which can transport you away from the cares of modern life.


Wadenhoe Church from the Nene in 2006

Wadenhoe Church in 2006

Although 1966 seems not that far back to me, much has of course changed since BB was writing. He describes the manual operation of the River Nene locks and the boating traffic that includes working boats delivering flour to the mills in Wellingborough. He also describes processes in agriculture that have since changed. It is noteworthy that he mentions stubble burning several times in the book, a practice which was popular with farmers at the time but that was effectively banned in 1993. He also bemoans the loss of the red kite to Northamptonshire, a bird which is now well re-established in the Rockingham area – I drove along the Nene valley just this week and saw three around Oundle.


As with all similar books, “A Summer on the Nene” also covers the history of the area. It includes the happenings at Fotheringhay in the 16th century involving Mary Queen of Scots, the village being illustrated with several impressive full-page wood cuts. However, the unique feature of the book, as far as English history is concerned, is much more prosaic. Unusually, the book contains a ten-page appendix recoding an interview with a Mrs Julyans who lived in the rural Nene Valley in the 19th century and who died in 1967. The picture she paints of rural life is heart-warming without being nostalgic. It certainly adds to the book’s appeal and it helps increase its focus on rural life. The review by Old Stager describes some of this material.

Which brings me back to where I started. Old Stager lent the original copy of his book and it was never returned; he relied on a library copy when writing his piece for Endeavour. I understand he would like his original copy back. I can vouch that my copy didn’t belong to Old Stager, it was an ex-library copy from far-off Kent! He did note in his piece that a copy had been on sale in Uppingham for around £150 but my very smart copy was nowhere near that cost.

Nynehead Boat Lift - Grand Western Canal

We spent some days last week in West Somerset staying at friends' cottage near Taunton. Not far away is the track of the Great Western Canal and the remains of the Nynehead Boat lift. The Grand Western was famous for James Green's boat lifts that served the canal for its 30-year working life.

It is over ten years since we visited the lifts for the first time, encouraged by a Waterways World article. Since then not much has basically changed although the site has been much cleared and there are some improvements to the lift chambers. The aqueduct that carries the canal over the carriage way from Wellington to Nynehead Court has also been restored

Nynehead Lift in 2002

Nynehead Lift in 2013

On our first visit we called in at Wharf Cottage, which is close to the site, to make sure we were not trespassing. We did the same again this time and met Denis Dodds who is not only the closest neighbour to the site but is also an authority on the Grand Western Lifts.  He supplied us with a handy map of the area so we could take a circular walk that walk included the line of the canal and crossing the River Tone. 

View from the top of the lift showing where there was a lock below

Looking towards Nynehead Court in 2002 
This is the line of the carriage way with the aqueduct in the background.

Same view in 2013 with the aqueduct parapet now restored
Restored aqueduct with cast iron sides

The canal was landscaped at the request of the owners of Nynehead Court by planting turkey oaks - today they are very large.

Walking along the towpath with the canal channel to the right.



For those with an interest in this West Country canal, with its boat lifts and inclined planes, there is the excellent book in the David & Charles series by Helen Harris that was first published in 1973 but has been reprinted a number of times. It includes some black and white photographs of the Nynehead Lift and diagrams from James Green's technical publications. If you are in the area of Wellington in Somerset, Nynehead lies just north of the town and is but a few miles from the M5. (reference 50.990712,-3.219393)


Nurser Feed Tin?

Firstly, you should note the use of the question mark in the title to this post.

A few years ago now we were lucky enough to obtain a small Buckby can from a local antique shop. Around the middle of the can was written Forget-Me-Not and the style was unmistakably Braunston. We have tried over the years to seek details of the use for the can, the painter and what boat he painted it for. This has included talking to contacts at the The Canal Museum at Stoke Bruerne and photographs of the can appearing in the Waterways World, Narrow Boat and Canal Boat magazines. Nothing definite has come from this. However, Tony Lewery has a similar can given to him by Angela Rolt and his view was that our small can is probably from the Nurser yard and from around 1911. We are therefore alert to similar items when we see them.

Small Nurser Buckby Can

Crick Boat Show is not the normal place to source such items, they are usually snapped up quickly, so when we arrived on the last day of this year's show it was much to our surprise that we discovered that one of the antique stalls had a horse feed tin with decoration that looked very similar to our small can. The tin appeared to us to say "Frank Nurser". The seller couldn't vouch for its history but he did proffer the interesting statement "a guy with a beard came and looked at it for some time and said he thought it was Frank Nurser". Not exactly a statement of authenticity, particularly since men with beards are two a penny at boat shows (!), but it got us hooked. The tin is certainly old, although not as old as the small can, and because the painting style looked so interesting we struck a deal with the dealer.

Our Nurser(?) Feed Tin
(Note strap fittings)

Detail showing some recent damage

Detail showing the base
(Note rivets)

Detail of daisies

Detail of roses

So what exactly is a feed tin?  They were containers suspended by straps from the harness of the horse so it could eat on the move. Ours is made from tinplate (as the name suggests) and it measures 9.5 inches high by 13.5 inches diameter (maximum).

Horse with feed tin at the bottom of Bingley Five-Rise 
(from CRT web site)
I have looked at the excellent Nurser web site that has been recently set up to celebrate the family operating the Braunston dockyard from 1876 to 1941. The site gives wonderful detail of the family and employees and includes some good images of typical Nurser decoration. Looking at the cans shown on the site has reinforced my view that our feed tin must have Nurser connections.

Please drop us an email if you have any views.

Water-Music by Sir John Squire (dedicated to William Bliss)


Although written by Sir John Squire this book was essentially my introduction to William Bliss. It is an account of the canoeing trip by Bliss and Squire along canals and rivers in the summer of 1938. I purchased the book as Solo & Duet a reprint published in 1943 which also contained The Honeysuckle and the Bee. I suppose wartime printing restrictions might have had a role in these two books being reprinted as one.  The fly leaf of Water-Music gives a clue as to its nature because Squire notes, in his dedication to his companion, “This narrative as vagrant as our meandering streams” . And meander it does!
Sir John Squire in 1935
(National Portrait Gallery)

The narrative starts quite straightforwardly with Squire discussing the books Bliss has written on canoeing but Squire admitting that he hadn’t been canoeing apart from the odd short journey down a backwater. Bliss, obviously not a man to let the grass grow under his feet, immediately suggested a week’s canoeing up the River Cherwell, Oxford Canal, portage to the Avon at Warwick, and then back down the Thames.
They left on May 20th 1938, or so it says in a letter to Bliss that Squire reprints. This date will have some significance in a later post. They hired their canoe from Salter’s at Oxford.   It is worthwhile noting that at this stage neither was young. I calculate that Squire was 54 and Bliss 73. Bliss had just had published four books, his Heart of England by Waterway 1933, Canoeing 1934, Rapid Rivers 1935, and his autobiography Pilgrimage of Grace 1937. Squire, a member of the Bloomsbury set, had been editor of the London Mercury magazine and was reviewing for the London Illustrated News. Some of the episodes in the book originally appeared in Punch. He was a literary figure with a reputation for drinking, being credited with the classic one-liner “I am not so think as you drunk I am”.
Their journey began with Squire visiting Bliss at his home at Lane End, Buckinghamshire in the Chilterns near High Wycombe.  They promptly set off in a car but not before Bliss had purchased a jug of cider from the Peacock Inn, which is still in business. They managed to take the jug in the boat throughout their adventures without breaking it or drinking it! Their journey is full of interruptions and leisurely, but given their ages I suppose that is only natural. Bliss, being a devout Roman Catholic, breaks off to attend mass, and both have contacts who must be visited along the way. This creates a lot of natural diversions in the text but Squire makes it even more rambling by his literary diversions. You could be forgiven for thinking that this is reminiscent of Jerome’s Three Men in a Boat, the uproarious story of the cheese comes to mind, but it is not. The diversions are amusing but literary and this makes it difficult to follow at sometimes. 
I will relate, as an example, one diversion which will give you the flavour of the book. Bliss and Squire are staying at the Crown Hotel Bicester, which unusually had a cinema attached. It is Sunday so Bliss goes to morning mass and they have a late start from Aynho. They are ferried to the Oxford Canal by a car belonging to a friend. They eventually get moving about 4 o’clock and only get as far as Banbury where the locks are shut. They dump the canoe for the night and have dinner. It is then that Bliss announces that he is off to see a friend. Left on his own, Squire rings up a friend who picks him up. Squires’ friends are playing cards at a nearby house. This leads Squire to recall card games in Switzerland and on a ship in the Baltic. He then recalls his visit to Monte Carlo in 1923. Several pages of discussion about gambling later, he recalls that at the roulette tables he sat next to a woman with a heavy accent who introduced herself as Zazel the “‘uman cannon-ball”.  It turns out she had been a very famous celebrity in Victorian England who, as a young girl had thrilled the crowds nightly at the Royal Aquarium which stood opposite Westminster Abbey. According to Squire she had her portrait painted by George Fredric Watts OM.
After this diversion, you might expect Squire to return to the job in hand, describing the journey. Instead he has a discussion with a demon about the meandering nature of his text and he then goes on to discuss the raising of goats, Czech and Irish names, and his passion for poetry.
The book continues in this vein with boating incidents, friends who provide entertainment and accommodation, and many changes of plan. They manage to get back to Oxford in one piece and with the boat intact. Although the journey was not long the reader is taken on a extended journey to far most reaches of John Squires mind!
It is a book for the literary enthusiast who enjoys the English countryside and is nostalgic about the period between the wars, or perhaps for a William Bliss enthusiast - like me.

William Bliss: canoeing author and waterways pioneer


I reported back in 2011 on the book Camping by Water by Noel Carrington & Patricia Cavendish published in 1950. It was my first venture into reviewing early books concerned with canoeing rather than motor boating. In that post I noted that my book collection had already been extended to more unconventional waterways literature because I had also obtained a copy of Solo & Duet by SirJohn Squire which contains a description of the author’s 1938 canoe journey with William Bliss along sections of the Oxford Canal, Grand Union and River Avon. I also reported that I had yet to review this literary work because I didn’t find it easy to summarise, the book being more about the author’s views on a whole variety of subjects rather than about their waterways journey.
What I didn’t realise at the time was where the Squire book was eventually to lead me, and what a rich vein of old waterways literature lay in front of me. It took me some time to discover it, and also sometime to appreciate it fully, but I now feel that I should start posting about some more early canoeing books. These books all come from the pen of William Bliss who wrote about canoeing and who loved the waterways, particularly the canals, with passion. His 1934 book Canoeing has a preface by no less a person than that great inland waterways champion A.P. Herbert which begins with the words “Canoe! Canal!! Magical words”.
I had always promised myself that one day I would investigate the mysterious “Bliss” that Squire often refers to in his book, but I failed to do much about it until around a year ago. Squire describes him as being a famous author of books about canoeing, and gives some details of his life, but I was unaware of how strong was Bliss’s commitment to inland waterways in general and canals in particular.
William Bliss isn’t exactly a name that comes to mind when discussing the leisure use of waterways in the early twentieth century. I had wrongly assumed given the popularity of canoeing that Bliss would perhaps be a household name in that world, but that turns out to be wrong. Even in canoeing circles he appears at most to be an “unsung hero” and is often unknown.  A recent posting on a discussion forum dedicated to books on early canoeing said " William Bliss seems to be a forgotten figure in British Canoeing. It seems that he may have been one of the true pioneers" 
However, he isn’t entirely forgotten in waterways’ circles because the Old Waterways Books blog site reviewed Bliss's book Heart of England by Waterway some time ago and Mick, who runs the site, owns a signed copy of the book.
Frontispiece of Heart of England by Waterway by William Bliss (1933)
Presumably of the Author reading his notes while resting in a lock
So, what did I do about researching William Bliss? My first step was to obtain a copy of Heart of England by Waterway. I am now a proud (perhaps very proud?) owner of a good condition first edition (1933). It is without any inscription or dust jacket. I read it cover to cover and found it one of the most evocative waterways books I have ever read. It is just fascinating and the language is wonderful. I suggest that readers find the excellent post on Old Waterways Books where it is reviewed and some of the best passages in the book are quoted. Readers may also recall that I included an amusing anecdote from the book in my post about the Red Lion at Cropredy.
I then moved on and purchased a first edition of another Bliss book - Rapid Waters (1935) which, as the name suggests, is about canoeing on rivers rather than navigations. Although perhaps less interesting to a canal enthusiast, I couldn’t help buying this copy because it was signed by the author and it has an intriguing dedication. This copy has suffered water damage, although I thought that this was apt given the subject matter – did it fall overboard from a canoe?!
Finally, I purchased a first edition (1934) of Canoeing: The Art and Practice of Canoeing on English Rivers, Navigations and Canals, with a Description and Tables of Distances of the Canoeable Waterways of England and Wales. (What a great subtitle!)
These three books by Bliss, and the book by Squire about his travels with Bliss, have made me a confirmed William Bliss enthusiast. By using references from these books, searching some web-based sources, and visiting the area where Bliss lived, I have managed to piece together something of his life. I have also made an uncanny connection between Bliss and the navigation notes that Mick of Old Waterways books found inside his copy of Heart of England by Waterway.
What I intend to do is to post reviews of all four books along with a further post about what I have discovered about the life and waterways journeys of William Bliss. This post is effectively a preface to this series.

Boat Identified

In my earlier post about Stoke Bruerne in 1976, I wondered about the identity of the butty with David Blagrove's name on the cabin. Following a clue from Bob Westlake it appears that it is Elton which is now in the hands of the Wooden Canal Boat Society.

As it says on their site:

By 1968 even Willow Wren were unable to compete with lorries using the expanding motorway network. “Elton” was sold to David Blagrove, a teacher and diehard canal carrying enthusiast, who used her to carry coal for retailing from the boat.
It appears that Elton has been at Portland Basin on the Aston Canal for some time and has been used as floating storage for much of the societies equipment. She did however sink in November 2003 but was raised again.

Elton was built in 1936 by Walkers of Rickmansworth. Her history is on the WCBS web site.

Albert and the Iron Trunk

I have just reached a significant birthday -  the one where I get my State Pension. Wishing to mark it with a memorable present Maggie arranged for a local artist Peter Bowtell, whom we have known for many years, to produce a watercolour of Albert crossing the Iron Trunk Aqueduct at Cosgrove.

We had seen similar watercolours by Peter of the Iron Trunk but wanted one of Albert. In order to feature the boat more, Peter selected a slightly tighter view than his other images.

I am really delighted with it and will treasure it!


Albert crossing the Iron Trunk from an original watercolour by Peter Bowtell

PS The aqueduct will reach its 201st birthday later in the month and is shortly to be repainted.

Through London by Canal, by Benjamin Ellis Martin (1885)

I recently discovered an original version of an article published in 1885 of a journey through London on the Paddington Arm and Regents Canal to Limehouse Basin; the same journey we took in 2008.



The article was published in Harper’s Magazine, or Harper ‘s New Monthly Magazine as it was known at the time. This New York magazine has a long and distinguished history and is still published. Indeed the article I am writing about is still available (at cost) as a PDF download through the magazine’s web site.

The article is full of interesting social history. It reports on conditions along the canal at a time when London was expanding rapidly and was the industrial powerhouse of an empire. The conditions Martin describes are of factories belching smoke and steam, piles of dust, and docks full of shipping from all over the world.



However, he starts by describing more rural scenes. Brentford at that time was largely rural and he describes the journey to Paddington as “made up of twenty miles of the commonest country canalling, albeit through a charming country”. However, Paddington was by the 1880s part of London and Martin wonders about its recent rural history noting that close to Warwick Road “A nice old lady in a sun-bonnet is picking at things in the bushes; a clean old gentleman mends a rake; a muscular maiden mixes manure at a stable door. It is all peaceful and pretty, and it is all that remains of the quiet rural spot called Paddington.”



He notes that boats are boats are unloading brick and sand to build the suburbs of Queen’s Park and Kensal New Town and by Battle Bridge he describes large heaps of cinders and dust that “grew higher and higher year by year” and mused that some of these mounds were worth thousands of pounds sterling. In his view “this whole region is a place sweet to the contractor and the dustman doubtless, but surely to no one else. Everything is mercantile, money-grubbing, and sordid”. At Paddington he discovers the work-house is “a long dreary brick structure, set in a vast dreary field” and notes that along the Harrow Road, was the “Lock Hospital for destitute fallen women”. There was, however, the occasional pleasure boat operating along this stretch.



Seeing the numerous boats moored up at Paddington Martin notes, “the whole scene calls up Venice to us all, whether we see it with the setting sun sinking behind or with the dawn breaking over it, or the full moon flooding it. It must surely have been of this bit that Byron wrote, there would be nothing to make the canal of Venice more poetical than this of Paddington were it not for its artificial adjuncts.” Although Wikipedia notes that Little Venice was believed to have been coined by the English poet Robert Browning who lived here from 1862 to 1887, it appears that Lord Byron also has a strong claim particularly since Martin’s journey is contemporary.



Martin reports being legged through Maida Hill tunnel and describes the use of wings for the leggers to lie on. When passing Regents Park Zoo Martin notes “ the queer boxes and cages lying about on the bank above, in which beasts and birds have been brought from other lands” and “the discordant shrieks of the parrots, housed here in hundreds, drown the piping of the little wild birds in the trees”. One wonders what he would have made of the thousands of parrots that now occupy the western districts of London.



As Martin leaves Regents Park he notes that canals always attract boys as he puts it "men may come and men may go, the canal may change …. but the Boy re¬mains”. I suppose it is still the same – particularly where fishing is concerned.



It is not clear what boat Martin travelled on, I suspect he may have travelled on a number, but part of his journey appears to be on the Medway barge Alice. He describes the accommodation in detail and having tea on board.

As he gets closer to Limehouse Martin describes the industrial scene. “The monster coal yards of Rickett Smith and Co. hold mountains of coals, and farther along are acres of chains, and castings, and pipes, and every sort of unwieldy iron thing. The massive walls of foundries stretch along the bank, their tall chimneys, like grenadier sentinels, keeping watch over these fortresses of trade.” He also notes the squalor around Shoreditch, Hoxton and Bethnal Green. At Acton’s lock he found a stationary engine operating by the lock pumping water into the canal. He found one at nearly every lock below this lock to the Thames.



After Stepney Martin found that everything became more nautical and he met many large sailing barges, their masts and sprits “showing picturesquely, their brown sails tied up against them”.



Arriving at Limehouse Martin found himself “in another world, half sea, half land”. His description is so evocative I will quote it at length:
“… vast stone quays and jetties surround a water area of about ten acres, and on the quays and in the water is a busy scene. Men and machinery are at work loading and unloading vessels of every build and every rig, lying alongside the jetties or in the basin, beleaguered by barges. There are sloops and schooners and brigs, paddle-wheel steamers and screw colliers, bluff-bowed Dutch boats, sharp and shapely coasters, some low in the water with their heavy cargoes, some high out, already unladen. Moored together in neighbourly way is the Ulrika Wardo, with pine from Norway, and the Carolina, with ice from Boston; and queer foreign names are painted on the sterns of vessels from every foreign port. The huge rudders of the barges take up as much space as their vessels. On one side men are piling timber; on another they are screening coals; on another they are breaking into small bits and redressing gray granite from Aberdeen and blue granite from Guernsey, which comes rough-dressed for building and for paving. Here are mounds of small stones and sand dredged from the bottom of the Thames, to be sifted and used for concrete; here are heaps of lime and cement; here under sheds is the maddest medley of old iron ever seen — iron pots and pans, hoops and horseshoes, bars and bolts, rails and railings, tubing, rings, nuts, screws, nails, hooks, all the queer scraps ever dreamed of, all that can be bought all over London by perambulating "old rag and bottle men." It is brought here in great vans, piled with that brought up from the Medway by barge, weighed and shipped to Hartlepool, Sunderland, Newcastle, and there born again into useful iron things”
– a bit different today in London’s Dockland!



This 20-page article with engravings provides a unique glimpse into our canals when they were still carrying large tonnages. However, the spectre of the railways is there as Martin notes the incredible activity around Paddington, St Pancras and Kings Cross stations and the plans for extending railways throughout London.

I found it truly fascinating article with great illustrations.

Tralee Canal, Co. Kerry

Last week I went to Tralee in Ireland on business but one evening I had a short time to explore the environment around the town. I couldn't resist taking a walk from the centre of town to Blennerville along the restored Tralee Canal. Although the weather remained dry throughout my two hour walk, all around the clouds were full of rain. On occasions the sun did dramatically break through making photography interesting.


An empty Prince's Quay, Tralee Canal


Charming commemerative plaque

The canal was built in the 1830s as a ship canal with capacity to take vessels up to 300 tons. It is somewhat remiscant of the Gloucester & Sharpness Canal but much shorter being only around 2 km long. The canal runs alongside the River Lee and has just one (sea) lock.

At Blennerville, where there is a famous windmill, there is a swing bridge and a road bridge across the river. The canal was built for trade to bring goods directly into the town of Tralee rather than Fenit  which is further along the coast.


River Lee, Blennerville windmill, and bridge

The port of Tralee was one of the places where numbers of emigrants left for North America. Around the time that the Tralee Canal was being restored in the 1990s, with an eye to tourism, a replica of the famous Jeanie Johnston that sailed to Canada and the US from Tralee was built alongside the canal at Blennerville. The replica now mostly resides in Dublin. When I visited there was only one boat, a residential barge, moored up. A single sculler was about to make use of the canal for some evening training.


Barge moored at Blennerville

There was also a famous railway (Tralee and Dingle Light Railway) that ran alongside the river and canal and onwards to the Dingle Peninsula. A short section to Blennerville was restored but its future appears to be uncertain.


Electrifying Waterways

Having recently read both Robert Aickman's The River Flows Uphill and David Bolton's Race Against Time, which deal with the early days of the Inland Waterways Association, I have been keeping my eye out for old copies of the IWA Bulletin. Both books draw heavily on Bulletins for their source material. Indeed the Aickman's book quotes liberally from them. At the recent Stoke Bruerne Gala Day I found a small collection of early Bulletins for sale and sought out the most interesting of them from the pile.

The most interesting Bulletin turned out also to be the oldest; number 57 from October 1958. It covered the likely impact of the Bowes report on the future of the inland waterways and included pictures and a report from the IWA Annual Dinner where Leslie Bowes, Robert Aickman and John Smith were among the speakers. I have seen these pictures reproduced elsewhere, notably in Waterways World. Nevertheless, the booklet is fascinating and no doubt I will develop more posts from it during the coming months.

However, the section that struck me as being the most noteworthy was a short article written by an engineer from Birmingham, Andrew Allison, on a scheme to electrify the waterways. The article definitely smacks of the "white heat of technology"; a phrase that was coined a few years later by Harold Wilson. It describes in some detail, but without economic justification, how electricity could be used to move "barges" along the canals. The author points out the Britain has The Grid which he describes as being ubiquitous and if it were used there would be no smoke. As he puts it "In the nuclear days to come we should be ashamed of every puff of smoke from oil fuel that fouls the countryside"!

The scheme describes how sections of canal could be served by overhead power lines transformed down from the 11 kV of the grid to just 380 V three-phase. Above the canal there would be two power lines and an earth (or ground) line, with the latter being the closest to the ground. All catenary or supporting wires would also be earthed. The drawing below from the article shows how Allison envisaged the system could be laid out. Power would be picked up by boats using either a shoe or roller sprung against the overhead line. Ten boats at a time could occupy any powered section.


Allison's sketches of a system for providing overhead electric power to canals

Safety was discussed. The motive power system and "driver" would be enclosed in a ironclad enclosure or cab ". The driver would be able to watch the operation of the power pick-up system in his mirror! There is talk of a "driver's seat" and the "bargee" using electricity for heating, cooking and pumping at 110 volts.  Electricity could also be used to rapidly pump water at locks using large (30 inch diameter) submersible pumps and electric controls - no mention of water supplies. I don't  think he was thinking of using back-pumping.

Allison also discusses how there would be a waterways Highway Code to prevent operational problems such as could occur when "barges" pass each other. He discusses how tunnels and bridges would be accommodated. There could be protection for the wires as they pass under bridges (see Fig. 3 above); maybe he had seen how small boys often misbehaved near canal bridges. However, with a minimum specified height of 7ft for an unloaded barge you can't help feeling that there would been lots of local problems associated with modernising what was then a 150 year-old system. Did he envisage two sets of wires under narrow bridges?

There had been, of course,  examples of electric power used on waterways before but not on the scale envisaged by Allison. Harecastle tunnel tug was, for example, was for many years powered using a system similar to a trolley bus or tram. But Allison is thinking on a grand scale. He estimates that electrifying 1,000 miles and modifying 400 pairs of narrow boats would have cost in 1958 around £18.6 million. He was certainly using "blue skies" thinking. However, I can't help concluding that although he had been discussing his ideas with BICC, the major cable manufacturer who had expressed interest, he probably hadn't seen many narrow boats operate on the narrow canals in Birmingham, or discussed his ideas with boat operators.  The editorial notes attached to the article pointed out that he wasn't the only one advocating this kind of approach. Letters advocating similar approaches had been sent to the Nottingham Evening Post and the Kidderminster Shuttle and were quoted by the Bulletin editor, Robert Aickman.

Maggie's view of this is that it would have made boating very lively!

Wightwick Manor, Wolverhampton

Last weekend, from our base on Albert at Saltisford in Warwick, we visited Wightwick Manor a National Trust Property near Wolverhampton. As enthusiasts for Victorian and Pre-Raphaelite Art we had wanted to visit this property for some time. Also, some boating friends, who live in Wolverhampton, had recommended it to us for some years - they moor their boat close to the manor and visit it regularly.

The house, with its William Morris interiors, is a late Victorian treasure. Built in the ‘Old English’ style for local industrialist Theodore Mander, Wightwick Manor is considered one the best surviving examples of a home furnished under the influence of the Arts and Crafts movement. There is currently a special exhibition celebrating 150 years of Morris and Co. and the rich interiors feature artwork by Rossetti and Burne-Jones, glass by Charles Kempe and ceramics by William de Morgan.

During our tour of the house the excellent guide told us about the ITV programme (broadcast last weekend) where Andrew Lloyd Webber describes his passion for Pre-Raphaelite Art and visits the house.

Wightwick Manor featured heavily in the programme and Lloyd Webber describes how is "blown away" by the house which he visited for first time for the programme. He describes the house as being "extraordinary" and "about a family's passion for Victorian Art". We can concur - it is fabulous.

Photography is not allowed in the property so I haven't any images from inside the house. However, the gardens are also very fine with lots of yew hedges and secluded areas. It looked glorious in the sun.


Wightwick Manor


Bug "Home"


Well-Clipped Hedges


Wonderful Wisteria


Bluebell Glade in the late afternoon sun


The Lake

Wightwick lies just above the Staffs & Worcester Canal at Bridge 56. It is close to the Mermaid Tavern. You shouldn't miss it.